Friday, January 16, 2009

The Origins Of Black American Heroes

As I drop deeper into the world of my new, still untitled, novel, I realize certain themes echo through my work. At present what fascinates me are: Father/daughter relationships, dreams, myths, Africanisms in the United States, the nature of good, evil, love and forgiveness. This has led me to think about the books that inform my writing.


One of my favorite nonfiction books is the The Hero with An African Face by Dr. Clyde W. Ford. I have read my copy down to its gluey spine. Ford's work helped me frame my last novel, Act of Grace, so that my words got to the heart of what I was trying to express.

The Rites of Passage Organization said:


The Hero With An African Face identifies and explores the connection between humanity and divinity found throughout traditional mythologies of Africa. In the book, Ford takes readers on a journey into the mythologies of sub-Saharan Africa, presenting timeless insights into the human spirit that reveal the power and importance of ancient African myth. He places it among the great mythological traditions of ancient Greeks, Romans, Chinese, and Native Americans. It is also the first book to show the similarity between African spiritual traditions and their counterparts in Hinduism, Buddhism, Christianity, Judaism, Islam, Native American spirituality, and other spiritual traditions worldwide.

Mythology was traditionally a means of healing self and society by helping people baring the circumstances of their lives into harmony with larger concerns. As Ford writes, "Myths bring us into accord with the eternal mysteries of being, help us manage the inevitable passages of our lives, and give us templates for our relationship with the societies in which we live." In the book, Ford explores how African myths convey the perennial wisdom of humanity: the creation of the world, the hero's journey, our relationship with nature, death, and resurrection. Ford shows how many myths reveal the intimacy of human and animal spirits, and explores the arhetypal forces of the orishas - the West African deities that were carried to the Americas in the African Diaspora. Ultimately, Ford points out that these myths enable us to see the history of African Americans in a new light - as a hero' journey, a courageous passage to a hard-won victory.

Interview with Dr. Ford done by Fearless Books.

Dr. Ford is also a wonderful novelist, dedicated to bringing back the nautical novel. Check out his new literary work on his web site.

Wednesday, December 24, 2008

LET THERE BE PEACE ON EARTH

LET THERE BE PEACE ON EARTH,
AND LET IT BEGIN WITH ME.
LET THERE BE PEACE ON EARTH,
THE PEACE THAT WAS MEANT TO BE
(words and music by jill Jackson and Sy miller, 1955)
Merry Chirstmas Everyone!!!

Thursday, December 11, 2008

The Case for More African American Books


I Heart Black Authors





I've been away awhile, revising, yet again, my first novel so that my agent can send it back out into the world. Now, I have been around on other blogs commenting about life and writing, but I really need to work on my own stuff. So let’s talk about the bane of every writer’s life – REJECTION.

Rejection hurts, but sometimes rejection letters are important because they reveal important truths you have to learn to deal with as a writer, be it the quality of your work or the nature of the publishing industry. Rejection letters make you face truths you knew were out there but preferred to ignore because they were well…depressing.


Last year ,in my quest for representation for my first novel, I received the following rejection letter from a well-known African American agent:


Dear Karen

Thank you for your query and I apologize for the delay in my response. This is an indication as to how overwhelmed I am by the numerous submissions that we receive on a daily basis. It would not be as bad if publishers were a bit more receptive to diverse works by African American writers.

In most instances the editorial direction at many publishing houses is based on whatever is trendy or the pre-selected categories that represent only a narrow segment of African American reader’s interests.

I am certain that if you survey any bookstore you will quickly determine that there is little diversity among the overall titles representing African American writer of fiction and nonfiction… much of it poorly written.

It is truly an unlevel playing field and one that necessitates my having to decline representation of many worthy projects such as yours, simply because each submission requires an enormous amount of time and effort to garner the interest and support necessary to achieve the objectives of acquisition, publication, marketing and promotion.

Signed



Now, I consider this letter a gem of knowledge, even though, at first, it stung my soul. I consider it important because I needed to know the truth about what I and other writers of color of are up against. This letter also now serves to remind me to appreciate my agent’s hard work and her own frustration about not being able to place my novel.

As with any business, publishing is about the numbers and cash.” You have to be able to make them(publishers) money.” My agent once explained. All publishers can see, especially in these hard economic times, are the dollars they can get from selling only certain kinds of book written by and for black people. Art and the beauty of the written word about African American life and culture be damned since they believe people will only purchase certain kinds of more titillating fiction .

The lack of diversity in African American fiction and non fiction is a problem, but problems can’t be solved unless some of us are willing to step up and take action. Carleen Brice, author of Orange Mint and Honey has started a movement to level the playing field on her blog White Readers Meet Black Authors .The goal of the blog is to introduce people of all colors and cultures to books by African American authors. Because the truth is, change can only come for black writers and authors if people spend more money on a variety of African American books. So take a look at Carleen's new blog, veiw the video and buy a few copies of her wonderful novel to give as gifts.

Wednesday, November 5, 2008

Lift Every Voice

This is one of my favorite songs about uplift. I've been singing it all day in honor of President Obama

Lift Every Voice and Sing by James Weldon Johnson (1871–1938)

Lift every voice and sing,
'Til earth and heaven ring,
Ring with the harmonies of Liberty;
Let our rejoicing rise
High as the listening skies,
Let it resound loud as the rolling sea.
Sing a song full of the faith that the dark past has taught us,
Sing a song full of the hope that the present has brought us;
Facing the rising sun of our new day begun,
Let us march on 'til victory is won.
Stony the road we trod,
Bitter the chast'ning rod,
Felt in the days when hope unborn had died;
Yet with a steady beat,
Have not our weary feet
Come to the place for which our fathers sighed?
We have come over a way that with tears has been watered,
We have come, treading our path through the blood of the slaughtered,
Out from the gloomy past,
'Til now we stand at last
Where the white gleam of our bright star is cast.
God of our weary years,
God of our silent tears,
Thou who has brought us thus far on the way;
Thou who has by Thy might
Led us into the light,
Keep us forever in the path, we pray.
Lest our feet stray from the places, our God, where we met Thee,
Lest, our hearts drunk with the wine of the world, we forget Thee;
Shadowed beneath Thy hand,
May we forever stand,
True to our God,
True to our native land.

Tuesday, November 4, 2008

Vote like the future depends on you

Vote in memory of all those who waited for this day and didn't make it.

Vote in memory of all those who couldn't get to the mountaintop with us.

Vote because we are the dreams of our ancestors.


Thursday, September 18, 2008

Fig Fool


I am a fool for figs. I wait all summer until the stores have them and then I gorge. This year I just couldn’t bring myself to stretch my budget to pay for a pound of the luscious fruit. I was going to do without. But yesterday my best writing buddy bought me a quart. I was so happy I almost cried. In my novel Act of Grace, figs, with little nuggets of goat cheese perched in their moist beaks, appears in one of the pivotal scenes. It is one of my favorite parts of the book:

Dinner arrived at the table like floats in a culinary Mardi Gras parade. First to arrive was a salad of field greens whose creased and feathery leaves had been laid out as a nest for slivers of sugar encrusted almonds and small green figs whose soft beaky mouths had been propped open to hold smooth pebbles of a soft cheese. The salad was a bright introduction to a steaming mound of Jambalaya that was a treasure trove of pearly rice strewn with gems of moist chicken, thick smoky lips of ham and shrimp the size of a big baby’s fists.
From Act of Grace~

In honor of my friend I give you a recipe for Fresh Figs With Goat Cheese and Peppered Honey from Bon Appetit Magazine

Ingredients
1/4 cup honey
1/2 teaspoon freshly ground black pepper
12 fresh figs
1/4 cup soft fresh goat cheese

Preparation
Combine honey and pepper in small pitcher; stir to blend. Starting at stem end, cut each fig into quarters, stopping 1/2 inch from bottom to leave base intact. Gently press figs open. Spoon 1 teaspoon cheese into center of each. Arrange figs on platter; drizzle with peppered honey.
Of course this is just as good with out the honey, but the honey accents the flavors of the figs and the cheese. I also have served this with a really nice wine.

Friday, September 5, 2008

Soul Work

I’m getting restless waiting for more responses from editors. I use to think I was a patient woman but now I’m being tested. So, to easy my anxiety I thought I would explore some quotes about writing.

My favorite quote is from the poet Sharon Doubiago who taught me how to correctly use poetic language in a novel. She was a wonderful mentor and is a wonderful poet.I love how she describes writing as “soul work". To read more about her click here. I definitely tend toward the hurdle of glibness she speaks about in the quote below.


A successful work of literature is one that fuses spirit and craft equally, has linguistic, emotional, psychological, intellectual, philosophical, aesthetic integrity, involves the full self of the writer, is more honest than clever, is not primarily an artifice, is not primarily from a program or formula, is not primarily for selfish gain in the world, brings pleasure which usually has to do with recognition, is more from generosity than hate (the exploration and highlighting of hate being part of the task, but as Wallace Stevens says “Love tips the scales”), is somehow a contribution to human survival (the writer’s as well as for all); is the best that it can be. Is soul work.

Some writers are born gifted in language. Their hurdle is glibness. Some writers stutter and stammer to the end; their hurdle is in saying it. A successful work of literature fuses the poles of muteness and the gods speaking.

SHARON DOUBIAGO